Lucida madness, this is all about. And 'the theme around which the whole film, beyond the life of the true Vallanzasca Renato, and the only justification that can give the viewer the scenes that take place early in the film, at least until you are settling and you can also see the sensitive side (well hidden, we must say!) of a criminal, without apologies.
And it is one in which madness becomes the stunt when the four boys, to free a caged tiger in the circus near home (just outside of Milan), give way to a series, So aware, of the brutal events. The fact that they are dragged into a juvenile prison is the first step of reflection that leads us Vallanzasca: angels of evil, new film directed by Michele Placido. And 'in fact, crowds of children to something like that end up in one of those environments that are scarred for life, and that's what happens. Four more U.S. and (possibly) motivated begin, once you get the first early experience "behind bars" to make a series of petty crimes (like theft to local shops) that will lead them to conclude that crime really pays. A few years passed and the group grows up to become a real band, where petty theft becomes robbery, kidnapping, murder in a violent climax in which we find ourselves immersed without realizing it. And it is being catapulted into the savage violence without understanding how and why the only flaw that we feel attributable to a movie as a whole is well written and well acted (very good interpretation of Kim Rossi Stuart in the role of "boss of Comasina). Also good performances Paz Vega in the role of Antonella D'Agostino, the sister of a lifetime "by Valeria Solarino (Consuelo), Renato companion with whom he had a child, and Filippo Timi (Enzo), good in us to enter the twisted head of a criminal upset by the continuous use of weapons and drugs, less exciting, but when it comes to externalize the inner drama of a life lived according to a friend / brother / boss or perhaps unable to love or to hate up in fund.
Then we arrive to discuss how to describe Renato Vallanzasca point that has attracted much criticism when the film, adapted from the book "The Flower of Evil" by Carlo Bonini and Renato Vallanzasca and "Letter to Renato" Renato Vallanzasca and Antonella D'Agostino, was shown out of competition at the Venice Film Festival. Despite the good guy's face that Kim Rossi Stuart at the service of Michele Placido's film does not celebrate or condemn the deeds of famous criminal, the director confirms that the presentation " in this film you will not find the truth about the case Vallanzasca . At least you will not find one. Why is this a film not a `inquiry. Not condemnation. Does not perform. Tell a story. The story of a gang, the story of a Milan that no longer exists, but they are real and raw pain of those who have suffered such violence ".
In fact this film is the scene in a merciless theater of the absurd that tries to give an idea of \u200b\u200bwho was one of the most "arrogant" gangsters of Italian history but did not give an opinion that has the taste nor praise or condemnation, is the viewer cringe or smile when the bandit, always ready to argue that the weapons should not be used to shoot to scare, but in an interview to a popular radio describes saying, "that is not have a bad one, is that I have the dark side a bit 'pronounced. "
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